2010年7月31日土曜日

資料 plot

みてはいけない

ストーリーメーカー
238

あたしのほかに何もほしがっちゃいや
一体
理想

現実 見てはいけない∵幻滅する→動物→離別


ランク 84
1 高位の血筋として誕生
2 誕生前後に両親に困難
3 予言によって誕生をおそれる
4 箱などで水辺に捨てられる
5 低位のものを仮の両親として生育
6 血筋を知る
7 生みの親に復讐
8 認知され、栄誉





あることをきっかけにあること がおきた・をした。



オイディプス王

Log line
From Wikipedia


Random Log Line Generator
Star Trek Random Plot Generator


The Basic Three Act Structure


story plot
The Elements of Plot Development

If an author writes, "The king died and then the queen died," there is no plot for a story. But by writing, "The king died and then the queen died of grief," the writer has provided a plot line for a story.

A plot is a causal sequence of events, the "why" for the things that happen in the story. The plot draws the reader into the character's lives and helps the reader understand the choices that the characters make.

Plot point



Plot and narrative: the twin rails of the novel

'Narrative,' says John Gregory Dunne, 'is not plot.' And he's right. Here is how I understand his statement, and what it means when writing a novel.

Plot is what happens. Narrative is what the reader sees and hears of what happens – and how he sees and hears it.

In some novels, plot and narrative can be very closely aligned. In others, considerable distance can separate what is happening and what the story is telling of it. In murder mysteries, for instance, the plot – what is really going on, and why – is obscured by the detective's narrative – what she is telling us of what she sees, learns, and suspects. There's actually a whole lot more going on, but she will only know the full picture right at the end. In other sorts of stories, the plot and the narrative can be parallel, as what is really happening, say, a couple are getting divorced (the plot), is related is through the eyes of their eight-year-old son (his is the narrative), who doesn't really understand what is actually going on.



Why Can't Hollywood Create New Plots?
Five Plot Formulas Frequently Used by Hollywood




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What are the Seven Basic Plot Definitions?


モノミス関係


Joseph Campbell -To find your own way is to follow your bless.

Myths are public dreams dreams are private myths
Life is without meaning you bring meaning to it.
FotR - Hero's Journey Model

The Myth of the American Superhero. - book review
Book Review

Captain America and the Crusade Against Evil: The Dilemma of Zealous Nationalism




Hero's Journey for the Yamato Takeru Myth in Kojiki (712)
by Stephania Burke


Star Wars-The Legacy Revealed Part 1

The Matrix - Joseph Campbell Monomyth

The Hero's Journey / Monomyth as Defined by Dr. Joseph Campbell / Star Wars

How To Write A Script: Hero Journey Plot Points


Story: Substance, Structure, Style and the Principles of Screenwriting


The Writer's Journey: Mythic Structure for Writers

Robert McKee




Storytelling That Moves People
Bronwyn Fryer, HARVARD BUSINESS REVIEW:
Robert McKee: Two Arts




Myth - Myth And Science, Myth And Philosophy, Myth And Religion, Myth And Ritual, Myth And Psychology

Read more: Myth - Myth And Science, Myth And Philosophy, Myth And Religion, Myth And Ritual, Myth And Psychology
http://science.jrank.org/pages/7902/Myth.html#ixzz0oE32aReB
Monomyth



Unity of Action


Why Can't Hollywood Create New Plots?
Five Plot Formulas Frequently Used by Hollywood

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Jul 23, 2009 Laura Steer

Hollywood writers, whether consciously or subconsciously, nearly always employ predetermined plots and storylines known as "myths."

As it applies to pop culture, the word “myth” does not refer to a fictitious tale; it refers to a big story that has deep meaning and is organized for a group of people. Because the meanings and messages of such stories are universal, they are utilized over and over again by Hollywood. Each of these well-known myths has a plot structure and certain rules that it follows, but the specific characters and details are changeable enough that consumers (i.e. the general public) aren’t aware that they are continuously being fed the same core stories. Some of these stories include Wisdom of the Rustic, Possibility of Success, Conspiracy, Coming of Messiah, and Value of Challenge.

Myth #1: Wisdom of the Rustic
In this myth, the protagonist (often wealthy or educated) is faced with an obstacle that he is unable to overcome until he meets the Rustic. The Rustic is a wise character who is quirky and unconventional. (Example: Good Will Hunting.)

Myth #2: Possibility of Success
This myth is nearly opposite of the first. Whereas the protagonist of the Wisdom of the Rustic is a well-off protagonist gaining assistance from an outside source, the main character of this myth is often underprivileged and gains success solely by his own means and determination. An alternate name for this myth is Pull Yourself Up by Your Own Bootstraps. (Example: Erin Brokavich.)

Myth #3: Conspiracy
The overarching theme of this myth is that important, powerful people have a significantly dangerous secret. A number of people—often an entire population—are in jeopardy because the secret is being kept from them. The protagonist knows or discovers the secret and is then faced with the responsibility of enlightenment. (Example: Conspiracy Theory)

Myth #4: Coming of Messiah
Similar to the myth of Conspiracy, which hinges on secrecy and illumination, this myth features a society in trouble, but the survival of said society depends upon the coming of one person who will turn everything around and fix the problem. (Example: The Lion, Witch, and the Wardrobe.)


save the cat
視点

人間の弱く愚かで暗い側面

怪物もの
超人もの
おばかもの
凡人事件もの
黒幕もの(真相がじょじょに明らかに)


価値・役割獲得役割の意義

旧役割脱皮、新役割獲得 役割・特性の意義・

宝捜しもの(宝探しにでて成長する)
成長もの(成長し老いる苦悩)
変身もの(夢想変身して、現状の評価)
友情恋愛もの (お互い嫌い、お互い必要 変化)
家族もの(忠誠か、個人か?)

価値のために、脅威に怯えながら、愚かさ弱さを汚さを自覚しながら、仲間とあるときは喧嘩しあるときは協調して旅をしながら新しい役割・特性に変身する